Psychology Of Music

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Author: Siu-Lan Tan
Publisher: Psychology Press
ISBN: 1136997040
Size: 78.83 MB
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Psychology Of Music by Siu-Lan Tan


Original Title: Psychology Of Music

Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.

The Psychology Of Music In Multimedia

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Author: Siu-Lan Tan
Publisher: OUP Oxford
ISBN: 0191503258
Size: 68.35 MB
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The Psychology Of Music In Multimedia by Siu-Lan Tan


Original Title: The Psychology Of Music In Multimedia

For most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic. The Psychology of Music in Multimedia presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia. This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies.

The Routledge Companion To Music Cognition

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Author: Richard Ashley
Publisher: Routledge
ISBN: 1351761935
Size: 48.46 MB
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The Routledge Companion To Music Cognition by Richard Ashley


Original Title: The Routledge Companion To Music Cognition

The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication. A diverse range of global scholars—music theorists, musicologists, pedagogues, neuroscientists, and psychologists—address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include: Music’s impact on physical and emotional health Music cognition in various genres Music cognition in diverse populations, including people with amusia and hearing impairment The relationship of music to learning and accomplishment in academics, sport, and recreation The broader sociological and anthropological uses of music Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music’s meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.

The Routledge Companion To Screen Music And Sound

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Author: Miguel Mera
Publisher: Taylor & Francis
ISBN: 131739898X
Size: 30.46 MB
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The Routledge Companion To Screen Music And Sound by Miguel Mera


Original Title: The Routledge Companion To Screen Music And Sound

The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion is thematically organized into five cohesive areas of study: Issues in the Study of Screen Music and Sound—discusses the essential topics of the discipline Historical Approaches—examines periods of historical change or transition Production and Process—focuses on issues of collaboration, institutional politics, and the impact of technology and industrial practices Cultural and Aesthetic Perspectives—contextualizes an aesthetic approach within a wider framework of cultural knowledge Analyses and Methodologies—explores potential methodologies for interrogating screen music and sound Covering a wide range of topic areas drawn from musicology, sound studies, and media studies, The Routledge Companion to Screen Music and Sound provides researchers and students with an effective overview of music’s role in narrative media, as well as new methodological and aesthetic insights.

New Hart S Rules

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Author: Oxford University Press
Publisher: OUP Oxford
ISBN: 0191649147
Size: 48.93 MB
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New Hart S Rules by Oxford University Press


Original Title: New Hart S Rules

For over a hundred years, Hart's Rules has been the authority on style, helping writers and editors prepare copy for publication. The latest edition of this guide has been updated for the twenty-first century using the resources of Oxford Dictionaries and with the advice of publishing experts. Twenty-one chapters give information on all aspects of writing and of preparing copy for publication, whether in print or electronically. New Hart's Rules gives guidance on a broad range of topics including publishing terms, layout and headings, how to treat illustrations, hyphenation, punctuation, and bibliographies and notes. All chapters have been revised and updated to reflect current practice (taking into account changes in the world and in the publishing industry over the last eight years), with the help of a team of experts and consultants. Chapters that have been particularly heavily revised include those dealing with the use and presentation of illustrations, with the conventions of scientific publishing, and with the art of indexing. Additionally, an entirely new chapter has been written to explore and summarize the differences between UK and US English. The text is designed and organized for maximum accessibility with clearly displayed examples throughout. Authoritative and comprehensive, and endorsed by the Society for Editors and Proofreaders, New Hart's Rules is the essential desk guide for all writers and editors. Together with the New Oxford Spelling Dictionary and the New Oxford Dictionary for Writers and Editors it forms the complete editorial reference set.

Music Thought And Feeling

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Author: William Forde Thompson
Publisher: Oxford University Press, USA
ISBN: 9780195377071
Size: 78.71 MB
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Music Thought And Feeling by William Forde Thompson


Original Title: Music Thought And Feeling

Music, Thought, and Feeling surveys the interplay among psychology, neuroscience and music. Thompson begins by establishing a foundation in the evolution of music and the building blocks of music. The text then explores: how humans perceive music; the links between music and emotion; what the latest neuroimaging techniques tell us about music's effect on the brain; and the psychological processes involved in imagining, composing, and performing music. Written for students of psychologyand music alike, Music, Thought, and Feeling promises to become the defining text for the psychology of music course.

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