The Psychology Of Music In Multimedia

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Author: Siu-Lan Tan
Publisher: Oxford University Press
ISBN: 0199608156
Size: 18.20 MB
Format: PDF, ePub, Mobi
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The Psychology Of Music In Multimedia by Siu-Lan Tan


Original Title: The Psychology Of Music In Multimedia

The Psychology of Music in Multimedia is the first book dedicated to the scientific research on how we integrate sound and image when engaging with film, television, video, interactive games, and computer interfaces. The focus on empirical research and strong psychological framework make a unique and distinct contribution to the field. The international roster of contributors present rich and diverse perspectives from a wide range of disciplines includingpsychology, musicology, neuroscience, media studies, film, and communication. Collectively, the rich chapters in this edited volume present a comprehensive treatment of research on the multimedia experience,with the aim of disseminating this knowledge base and inspiring future scholarship.

On Repeat

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Author: Elizabeth Hellmuth Margulis
Publisher: Oxford University Press
ISBN: 0199990859
Size: 23.78 MB
Format: PDF
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On Repeat by Elizabeth Hellmuth Margulis


Original Title: On Repeat

Winner of the Wallace Berry Award, Society for Music Theory Winner of the Deems Taylor/Virgil Thomson Award, ASCAP What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an "earworm" burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. Its centrality has been acknowledged by everyone from evolutionary biologist W. Tecumseh Fitch, who has called it a "design feature" of music, to the composer Arnold Schoenberg who admitted that "intelligibility in music seems to be impossible without repetition." And yet, stunningly little is actually understood about repetition and its role in music. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. Author Elizabeth Hellmuth Margulis draws on a diverse array of fields including music theory, psycholinguistics, neuroscience, and cognitive psychology, to look head-on at the underlying perceptual mechanisms associated with repetition. Her work sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and then moves beyond music to consider related implications for repetition in language, learning, and communication. Written in engaging prose, and enlivening otherwise complex concepts for the specialist and non-specialist alike, On Repeat will captivate scholars and students across numerous disciplines from music theory and history, to psychology and neuroscience-and anyone fascinated by the puzzle of repetition in music.

Oxford Handbook Of Music Psychology

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Author: Susan Hallam
Publisher: OUP Oxford
ISBN: 0191620742
Size: 60.63 MB
Format: PDF, ePub
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Oxford Handbook Of Music Psychology by Susan Hallam


Original Title: Oxford Handbook Of Music Psychology

The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field. The Oxford Handbook of Music Psychology is a landmark text providing, for the first time ever, a comprehensive overview of the latest developments in this fast-growing area of research. With contributions from over fifty experts in the field, the range and depth of coverage is unequalled. All the chapters combine a solid review of the relevant literature with well-reasoned arguments and robust discussions of the major findings, as well as original insights and suggestions for future work. Written by leading experts, the 52 chapters are divided into 11 sections covering both experimental and theoretical perspectives, each edited by an internationally recognised authority Ten sections each present chapters that focus on specific areas of music psychology: - the origins and functions of music - music perception - responses to music - music and the brain - musical development - learning musical skills - musical performance - composition and improvisation - the role of music in our everyday lives - music therapy and conceptual frameworks In each section, expert authors critically review the literature, highlight current issues, and explore possibilities for the future. The final section examines how in recent years the study of music psychology has broadened to include a range of other scientific disciplines. It considers the way that the research has developed in relation to technological advances, fostering links across the field and providing an overview of the areas where the field needs further development in the future. The Oxford Handbook of Music Psychology will be the essential reference text for students and researchers across psychology and neuroscience.

Analysing Musical Multimedia

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Author: Nicholas Cook
Publisher: Oxford University Press
ISBN:
Size: 50.71 MB
Format: PDF, Kindle
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Analysing Musical Multimedia by Nicholas Cook


Original Title: Analysing Musical Multimedia

Analysing Musical Multimedia is the first book to put forward a general theory of the manner in which different media - music, words, moving picture, and dance - work together to created multimedia. Though generally associated with contemporary developments, in particular music video and film, a general theory of musical multimedia also encompasses traditional genres such as song and opera. Critical writing in these areas, however, is genre-specific; this books seeks to establish principles, and a terminology for their description, that apply across the whole spectrum of musical multimedia. Beginning with a study of the way in which meaning is mediated in television commercials, Cook concludes with in-depth readings of Disney's Fantasia, Madonna's video Material Girl, and Armide (Godard's sequence from the collaborative film Aria). Analysing Musical Multimedia not only shows how approaches deriving from music theory can contribute to the understanding of multimedia, but alsoseeks to draw conclusions from the practice and further development of musical analysis.

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